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The White City, by Alec Michod
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It is the year of our lord, 1893. The crackle of electricity's first sparks, the mechanical whine of Ferris's wheel, the tinkling of crystal from the majestic city atop the hill--the sounds of a new era pervade the air as the century's last World's Fair commences in Chicago.
But darkness lurks beneath the metropolis so austere it has been dubbed the White City. Strikes loom on the horizon, racism runs rampant, and a murderer unlike any America has ever seen before is on the loose, terrorizing the city. His crimes are so brutal, newspapers have christened him the Husker. Hiding behind the cloak of a city in chaos, he taunts his pursuers, littering the grounds of the fair with the corpses of children as he slips through the shadows.
Dr. Elizabeth Handley, the first forensic psychologist of her kind, has been called in to capture the killer, but when the son of prominent architect William Rockland goes missing, the case takes on an entirely new urgency. In this city of bombastic politics and cutthroat egos, everyone has his own agenda, but time is running out. As she races to save the boy, Dr. Handley fights to maintain her sanity as the line between captor and quarry blurs, and violence casts its spell.
From the depths of the seediest brothels to the pristine enclaves of the elite, The White City is a strange, beguiling first novel, a thriller that masterfully blends fact and fiction. An exhilarating voyeur's glimpse at Chicago in all its glory, it also probes the dark side that was never far from its core.
- Sales Rank: #1213303 in Books
- Published on: 2004-01-27
- Original language: English
- Number of items: 1
- Dimensions: 8.54" h x .91" w x 5.76" l,
- Binding: Hardcover
- 226 pages
From Publishers Weekly
It's always a tough choice with historical fiction: risk bogging down the story with painstaking accuracy, or play fast and loose with the facts. Debut novelist Michod takes the latter tack in his fast-paced, sensational rush through the 1893 Chicago World's Fair, where the hunt is on for a serial killer who preys on young boys. Beginning with an immediate sensory whirl - wind whipping off Lake Michigan, bustling exhibition halls, excited crowds - this literate thriller pulls readers along pell-mell until the end. When young Billy Rockland, son of a prominent Chicago architect, wanders away from his parents, he's discovered by the ominous Skurlock, who whisks him into the fair's dark fringes. Meanwhile, the corpses of mutilated boys have the city in a panic. Add to the mix Potter Palmer, a prominent industrialist and friend of the grieving Rocklands; a twisted subplot involving striking workers and blackmail; the intrepid (but sometimes disoriented) forensic psychologist Dr. Elizabeth Handley; and of course the killer himself, who may or may not be the man dragging around the uncomplaining Billy. Michod keeps the suspense high, and he enlivens his tale with plenty of period visuals; he also indulges in a stylized, torqued syntax that can be awkward. While first-novel prose excesses may be excusable, fuzzy characterization is not; the urges and motivations of the main players are implausible at key moments, and readers may find it difficult to suspend disbelief and sympathize. This is a smart, daring attempt to weave fact and fiction, but here's hoping that Michod's next story doesn't get lost in the razzle-dazzle.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
It has to be unnerving to finish a historical novel and then learn that your choice of setting and topic has also been turned into a nonfiction book, which has become a best-seller. Michod's heart may have sunk when he learned of the publication of Erik Larson's The Devil in the White City [BKL F 15 03], a splendid historical account that juxtaposes the builder of the 1893 Columbian Exposition against a destroyer of life, the serial killer H. H. Holmes, who found victims among female fairgoers. But bad timing aside, Michod's novel remains well worth reading. He jumps off from the Holmes' murders to murders of little boys. He provides a marvelous and historically based female detective. Best of all, his painstaking research brings to life the World's Fair's grand halls and grotesque sideshows. Michod avoids the historical novelist's failing of overwhelming the reader with hard-won detail, managing instead to uses his research to great dramatic effect. Recommend this to readers of the Larson book, who will be fascinated by the fictional portrayal of many of the same events. Connie Fletcher
Copyright © American Library Association. All rights reserved
Review
"A macabre intelligence pervades this novel, as history and fiction by turns complement and taunt one another. The wide range of characters Michod vividly captures at their breaking points are not only confronting a serial killer blended into late nineteenth century Chicago, they are also challenging us to contemplate the fear and thrills we locate uniquely in violence. A thinking person's thriller. "
--Matthew Pearl, author of The New York Times Bestseller The Dante Club
"The White City is a spooky, atmospheric, first-rate historical thriller.
Alec Michod is a bold new writer, who has based his story on America's first
famous serial killer, and set it amidst all the turbulence and color of
turn-of-the-century Chicago."
--Kevin Baker, author of The New York Times Notable Book Dreamland
"Alec Michod's The White City is an exuberant first novel fully engaged with the extravagant display of the Chicago Worlds Fair of 1893. Delightfully plotted as a thriller, any number of fumbling detectives ply their trade in the false landscape of the phantasmagoric city. But Michod is up to more than an entertainment. He unmasks the greed and deception that lies under the fantasy and fun, to expose the underside of the American Dream."--Maureen Howard, author of The New York Times Notable Book Big As Life
"Find a blanket, pour a drink, settle beneath your lamp: Here is a stylish and irresistible novel that will ruin your sleep and follow you into the day. Something sinister is afoot in 1893 Chicago, and you won't get much done until peace is restored. But be warned, however, because in Alec Michod's dazzling The White City, the wind off Lake Michigan has a way of playing with the light." -- Peter Gadol, author of Light at Dusk and The Long Rain
"A thinking person's thriller. " (Matthew Pearl, author of The New York Times Bestseller The Dante Club)
Most helpful customer reviews
0 of 0 people found the following review helpful.
Annoying prose, hateful characters, erroneous information add up to complete disaster.
By Lisanne Freese
If you want a distorted version of historical events, with mostly fictitious characters, this book's for you. The author states "Events were shifted around to better adhere to the novel's dramatic arc." Main characters Clemantis, the Rocklands, Thom Nix, Hannibal Skurlock and the Walsh Gang are entirely fictitious. I'd describe the writing style as artsy-fartsy horrendously mixed with dream state. I didn't like any of the characters, and found the book, when sensible, to be plodding and maddening. Not sure how I got this book, perhaps confused it with the far better Devil in the White City. Regardless, this one's headed to the thrift store asap. Spend your reading time on something of higher quality.
5 of 5 people found the following review helpful.
The White City
By Janet L. DePuma
I found this book to be very "choppy". The author had the opportunity to use an excellent storyline, but his writing was very hard to follow. He jumped from one subject to another and you had to stop reading and think about what character he was talking about. It was very confusing. I finished the book, but I didn't find it as good as I'd hoped. I doubt that I would ever purchase another of Alec Michod books.
10 of 12 people found the following review helpful.
Historical inaccuracies and opaque, hazy writing doom this book
By Amazon Prime Customer
I found several historical miscues in the first few pages. The Ferris Wheel running since May? Women wearing hoops? Did Michon do any research at all? Even aside from the obvious screw-ups (for no reason -- I'm willing to accept changing history if it needs to be changed for the story, like the ways he changed Holmes, but things like a throwaway line about the Ferris Wheel or the clothing? The only reason that's mucked up is sloppiness), the writing style is practically impenetrable. I found it impossible to tell what was going on, what was happening to whom, or who any of the characters were supposed to be. They had no identifying characteristics. None. And the murders seemed to be created to be as gross and shocking as possible, without really adding up to anything in terms of creating a profile for the killer.
I was really disappointed in this book. Oh, and I don't know who the Husker was because I didn't bother to finish, which is practically unheard of for me and mysteries.
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