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The Crimson Letter: Harvard, Homosexuality, and the Shaping of American Culture, by Douglass Shand-Tucci
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In a book deeply impressive in its reach while also deeply embedded in its storied setting, bestselling historian Douglass Shand-Tucci explores the nature and expression of sexual identity at America's oldest university during the years of its greatest influence. The Crimson Letter follows the gay experience at Harvard in the nineteenth and twentieth centuries, focusing upon students, faculty, alumni, and hangers-on who struggled to find their place within the confines of Harvard Yard and in the society outside.
Walt Whitman and Oscar Wilde were the two dominant archetypes for gay undergraduates of the later nineteenth century. One was the robust praise-singer of American democracy, embraced at the start of his career by Ralph Waldo Emerson; the other was the Oxbridge aesthete whose visit to Harvard in 1882 became part of the university's legend and lore, and whose eventual martyrdom was a cautionary tale. Shand-Tucci explores the dramatic and creative oppositions and tensions between the Whitmanic and the Wildean, the warrior poet and the salon dazzler, and demonstrates how they framed the gay experience at Harvard and in the country as a whole.
The core of this book, however, is a portrait of a great university and its community struggling with the full implications of free inquiry. Harvard took very seriously its mission to shape the minds and bodies of its charges, who came from and were expected to perpetuate the nation's elite, yet struggled with the open expression of their sexual identities, which it alternately accepted and anathematized. Harvard believed it could live up to the Oxbridge model, offering a sanctuary worthy of the classical Greek ideals of male association, yet somehow remain true to its legacy of respectable austerity and Puritan self-denial.
The Crimson Letter therefore tells stories of great unhappiness and manacled minds, as well as stories of triumphant activism and fulfilled promise. Shand-Tucci brilliantly exposes the secrecy and codes that attended the gay experience, showing how their effects could simultaneously thwart and spark creativity. He explores in particular the question of gay sensibility and its effect upon everything from symphonic music to football, set design to statecraft, poetic theory to skyscrapers.
The Crimson Letter combines the learned and the lurid, tragedy and farce, scandal and vindication, and figures of world renown as well as those whose influence extended little farther than Harvard Square. Here is an engrossing account of a university transforming and transformed by those passing through its gates, and of their enduring impact upon American culture.
- Sales Rank: #1864304 in Books
- Published on: 2004-06-01
- Released on: 2004-06-01
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .88" w x 6.14" l, 1.34 pounds
- Binding: Paperback
- 432 pages
- ISBN13: 9780312330903
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
What Shand-Tucci (The Art of Scandal) attempts here is nothing less than a re-evaluation of American culture by looking at how it was shaped by Harvard-connected gay men. From Ralph Waldo Emerson (in love with fellow student Martin Gay) and Henry James (who apparently first had sex with Oliver Wendell Holmes) to poet Frank O'Hara and artist Edward Gory, who were student roommates, Shand-Tucci weaves together history, criticism and gossip to show how many of the sons of Harvard were not only gay but major culture machers. The material is often fascinating-the discussion of philosopher Lucian Price is a deft examination of American culture and politics, and it is clear that Shand-Tucci has read widely. Unfortunately most of the information here is from secondary sources, and as a result the book feels slightly shopworn, a problem compounded by the author's off-hand, often sloppy style. But a greater problem is that Shand-Tucci, try as he does in the final chapter, "Hunting the Sensibility," fails to make the case that there is something about Harvard that generates a specific sexuality and culture. In the end the book feels like a collection of minutiae and anecdotes, not a cultural history.
Copyright 2003 Reed Business Information, Inc.
Review
"Sophisticated scandal and spicy anecdote."
About the Author
Douglass Shand-Tucci's previous books include The Art of Scandal, the bestselling biography of Isabella Steward Gardner; Boston Bohemia, and, most recently, Harvard University, with photographs by Richard Cheek and a foreword by Neil Rudenstine. The origin of The Crimson Letter is a speech Shand-Tucci, a 1972 graduate of Harvard College, gave to the Gay and Lesbian Caucus in 1997. He lives in Boston's Back Bay.
Most helpful customer reviews
6 of 7 people found the following review helpful.
Interesting Nuggets to be Found
By Ricky Hunter
Harvard, Homosexuality, and the Shaping of American Culture is, perhaps, an unfortunate sub-title for the otherwise interesting The Crimson Letter by Douglas Shand-Tucci as it does not quite live up to this rather grandiose idea of shaping american culture. The book, though, is still a fascinating stroll through the past hundred years of Harvard history. It starts a little slowly with the author setting up two archetypes but gathers steam as the twentienth century takes flight. The author does wander around the topic at times as the personality presented connections to Harvard are stretched or evidence of his homosexuality is tenuously produced but he keeps the narrative flowing in and among the varied characters populating this history. A rewarding read for the anyone who sticks with it.
0 of 0 people found the following review helpful.
Interesting, but not a must-read
By Boston Bradstreet
Reading it requires work as it is comprised of dense, reference-rich passages.There is a buried running thread about how male homosexuality has changed over the last century or so. There is not much about lesbians, as women are a recent addition to Harvard.
3 of 5 people found the following review helpful.
Much Ado About Nothing
By A reader from California
The book was well-written (if very dry and dull), and the author obviously did his research. However, it warrants a big "So What?". That's because if you change the names of "Harvard" and "Boston" to any other school or city, the story would be exactly the same. Does anyone think that in the 50s, 60s or 70s (and earlier), the culture of shame, repression and anxiety for gays did not occur at any school other than Harvard?
I thought the book was going to describe how Harvard dealt with homosexuality, including school policies and standards--that was not the case. Instead, the book went on and on about how closeted gays had to remain within the culture of Harvard and Boston. That's news? I'm sure the same thing happened at the University of Iowa or South Dakota State in the time period under question. Yes, Boston is the pinnacle of straight-laced society, and Harvard the personification of that society, but again, so what? Gays were closeted everywhere in the early to mid twentieth century. The fact that the author concentrates on Harvard doesn't make this concept any more different or noteworthy.
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