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Friday, July 10, 2015

## PDF Download Metallica: This Monster Lives: The Inside Story of Some Kind of Monster, by Joe Berlinger, Greg Milner

PDF Download Metallica: This Monster Lives: The Inside Story of Some Kind of Monster, by Joe Berlinger, Greg Milner

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Metallica: This Monster Lives: The Inside Story of Some Kind of Monster, by Joe Berlinger, Greg Milner

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Metallica is the most successful hard-rock band of all time, having sold more than one hundred million albums worldwide. Receiving unique, unfettered access, acclaimed filmmakers Joe Berlinger and Bruce Sinofsky followed Metallica over two and a half years as they faced monumental personal and professional challenges that threatened to destroy the band just as they returned to the studio to record their first album in four years.
Berlinger's book about the experience reveals the stories behind the documentary Some Kind of Monster, capturing the energy, uncertainty, and ultimate triumph of both the filming and Metallica's bid for survival. It weaves the on-screen stories together with what happened off-screen, revealing intimate details of the band's struggle amid personnel changes, addiction, and controversy. In part because Berlinger was one of the only witnesses to the intensive group-therapy sessions and numerous band meetings, his account of his experience filming the band is the most honest and deeply probing book about Metallica---or any rock band---ever written.
This is the book both Metallica and film fans have dreamed of---a stark and honest look at one of rock's most important bands through the eyes of one of the most provocative documentary filmmakers working today.

Sales Rank: #1412919 in Books
Published on: 2005-11-01
Released on: 2005-10-20
Original language: English
Number of items: 1
Dimensions: 9.00" h x .74" w x 6.00" l, 1.20 pounds
Binding: Paperback
336 pages

From Publishers Weekly
In 2001, the hugely successful hard-rock/heavy metal band Metallica got together in a converted army bunker in San Francisco to record its first collection of new songs in years. Raw from the departure of their bass player yet determined to write and record together, the rock stars began group therapy with Phil Towle, a gentle-voiced therapist (or "performance-enhancement coach"). Far from hiding this image-smashing move, however, the band allowed acclaimed documentary filmmakers Joe Berlinger and Bruce Sinofsky to film, well, whatever. Even after Metallica lead singer James Hetfield slammed the therapy and left the recording studio, the creators of the brilliant documentaries Brother's Keeper and Paradise Lost were allowed to keep filming. What emerged two years later was a rock documentary, Metallica: Some Kind of Monster, that is arguably as defining a portrait of the values and conflicts of our times as Gimme Shelter is of its time. In an absorbing narrative, Berlinger (with rock journalist Milner) describes just what it took—the myriad decisions and risks—to turn nearly 1,600 hours of footage into a story that delivers an emotional impact that is all the greater for being true. This book should be required reading for aspiring filmmakers because it reveals the huge difference between turning the cameras on a contrived situation that purports to be "reality" and making a cinema verité or nonfiction film. Berlinger shows that capturing truth is both art and science, and that the best efforts require that the filmmakers risk as much as their subjects. 75 b&w photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Takes on the momentum of a suspense novel, and triumphs because of the commitment and fearlessness of Metallica…This Monster Lives shows that tenacious reporting can still produce great narratives, even about the most mega of megaplatinum stars.” ―New York Times

“Berlinger takes us even deeper into the inner sanctum. One of the book's bonuses: many events that were edited for the film, including a pivotal scene in which drummer Lars Ulrich laces into singer James Hetfield, are transcribed in full.” ―USA Today

“A fascinating look at the logistics of making an album and the dysfunctional family that bands can become.” ―Chicago Tribune

“Berlinger truly puts the meta in Metallica. Loads of deleted scenes and a metal-friendly theme (everyone has a monster to slay) are riffs we can all bang our heads to.” ―USA Today

About the Author

Joe Berlinger is an award-winning filmmaker and journalist. In addition to Some Kind of Monster, his films include Brother's Keeper, Paradise Lost: The Child Murders at Robin Hood Hills, Revelations: Paradise Lost 2, and Book of Shadows: Blair Witch 2, among many other film and television projects. Metallica: This Monster Lives is his first book.
Greg Milner is a senior contributing writer and columnist for Spin magazine. His work also appears in Slate, Salon, the Village Voice, Wired, and other publications. Metallica: This Monster Lives is his first book.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Suprising!
By Marie J. Evans
The opening pages of the 1st chapter hooked me. I didn't expect the humor, or the extent of the intimacy that I found here. The two alpha males in the band, Hetfield and Ulrich, were unnusually forthcoming in some areas of the book, and Berlinger was lucky enough to capture some very touching moments (ie James following his bandmate, Lars, into another room to make sure that he was ok after a particularly volcanic altercation). I loved this book! There were little notes from some of the therapy sessions that I'm very sorry didn't make the documentary (Some Kind Of Monster), the subject of this wonderful little history. Berlinger and Sinofsky did a stand-up job with the film, too, which I strongly recommend seeing.

1 of 5 people found the following review helpful.
More Metallica, less Joe please
By Jay
The book is mildly interesting. The thing I find most annoying about it are the constant references to the past projects of the film maker. I expected a book that was about Metallica and instead got something that is full of self referencial drivel and soul searching from Joe. Perhaps it's my fault and my expectations were set incorrectly (by me), but I found the book to be quite boring overall. Hope the DVD is better.

9 of 9 people found the following review helpful.
'Monster' Book Revives Reading
By Lisa M. Schreiner
In a time where sitting down and reading book is as rare as finding a good slice of pizza outside of New York; and attention span's are shorter than the line at a showing of Gigli, Joe Berlinger and Greg Milner's "This Monster Lives," certainly brought back a good reason to throw on your favorite pajama pants, grab a hot beverage, snuggle into that oh-so-comfortable spot on the couch, and lose yourself in a great piece of literature.

"This Monster Lives," delves into the behind-closed-doors aspect of the movie Metallica: Some Kind of Monster, which was dreamt up and filmed by acclaimed documentary filmmakers Bruce Sinofsky and co-author of the book, Joe Berlinger. Berlinger and Sinofsky, best known for their HBO documentaries, Paradise Lost : The Child Murders at Robin Hood Hills, Paradise Lost 2: Revelations and Brother's Keeper, filmed rock band Metallica through what could quite easily be considered the roughest and bumpiest road in the Bay Area band's tumultuous career. "This Monster Lives," tells the story of how the idea of making a movie about Metallica came to be, how that idea became a reality, and how it didn`t become another This is Spinal Tap.

Joe Berlinger and Greg Milner tactfully give us the insider's look at what it was like to work with one of the world's most successful rock bands of all time. From pitching the idea to the band and management to the red carpet premiere(s) of the movie, "This Monster Lives," lets the reader feel like they were there every step of the way, becoming absorbed into this world of rock 'n roll, filmmaking and yes, even therapy sessions.

For someone who can't get through a magazine article without stopping mid-way through to go do something else, I felt compelled to read chapter after chapter until I found myself either late for work or looking up to see that it was 4am and I had to be up in a couple of hours. All in all, "This Monster Lives,' is certainly a great book for anyone that's ever had the strive to accomplish a seemingly impossible project. You don't have to be a musician, an author, a filmmaker or even a fan of Metallica to appreciate the art that both Metallica and Berlinger, Sinofksy and Milner have released. "This Monster Lives" did for books what Metallica has done for music. After reading it, you just might be able to find that good slice of pizza outside of New York.

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Wednesday, July 8, 2015

^^ Download PDF Sideways: A Novel, by Rex Pickett

Download PDF Sideways: A Novel, by Rex Pickett

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Sideways: A Novel, by Rex Pickett

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Sideways is the story of two friends-Miles and Jack-going away together for the last time to steep themselves in everything that makes it good to be young and single: pinot, putting, and prowling bars. In the week before Jack plans to marry, the pair heads out from Los Angeles to the Santa Ynez wine country. For Jack, the tasting tour is Seven Days to D-Day, his final stretch of freedom. For Miles--who has divorced his wife, is facing an uncertain career and has lost his passion for living-the trip is a weeklong opportunity to evaluate his past, his future and himself.

A raucous and surprising novel filled with wonderful details about wine, Sideways is also a thought-provoking and funny book about men, women, and human relationships.

Sales Rank: #146713 in Books
Brand: Scranton, Pennsylvania, U.S.A.Scranton, Pennsylvania, U.S.A.: Newmarket Pr, 2004
Published on: 2004-10-01
Released on: 2004-09-23
Original language: English
Number of items: 1
Dimensions: 8.27" h x 1.00" w x 5.52" l, .73 pounds
Binding: Paperback
354 pages

Features

Great product!

From Publishers Weekly
Two old friends set out for a weeklong romp through Santa Ynez, Calif., wine country that comically strains their friendship in Pickett's lively debut. Smart, hapless narrator Miles is divorced and broke, and his novel's been rejected all over town. His handsome, "ursine" best friend, Jack, a successful actor, is about to get married, and wants to enjoy a few last days of freedom. Pickett gleefully chronicles their many minor adventures, including the oversexed Jack's attempts at getting laid, a boar-hunting episode and a staged car accident. Add to that massive amounts of wine: oenophile Miles swills rather than sips, and Jack's always been a party guy. While Jack works his charm on the ladies, Miles has his own flirtation with a lovely waitress. Miles can be a delightful narrator, but he's no prince: he's a bore when it comes to wine, for example, and he can get a little pseudophilosophical ("photos mock the present by staring back at us with their immutable luster of our youthful past"). He also thinks nothing of snatching a couple thousand dollars from his alcoholic mother on her birthday. But redemption for all is promised and Pickett takes his readers on a jolly ride. His novel sounds like a perfect buddy flick, and indeed, it will have its chance: Alexander Payne (About Schmidt; Election) is directing it for Fox Searchlight.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Screenwriter Pickett's debut, already a film in the making by Almost Schmidt director Alexander Payne, is a buddy novel in the cinematic vein of Swingers. Two longtime friends, Miles, a struggling, cynical, recently divorced writer and wine snob, and Jack, a soon-to-be-wed TV director, leave Los Angeles for vineyard country on Jack's last week as a bachelor. Their road trip of endless imbibing and carousing feels like Dharma Bums updated with metrosexual panache. Miles is most interested in consuming wine while Jack is hell-bent on consummating one last affair. Jack's suave demeanor and classically handsome mug get both friends into uproarious and dangerous situations in this rambling comedy of errors. Pickett plays the sex-and-the-single-man angle for all its worth here, nodding occasionally at such larger themes as friendship and romance. Call it Nick Hornby lite. Misha Stone
Copyright © American Library Association. All rights reserved

Review

“A fresh take... credit screenwriter Pickett for coming up with a debut that goes some distance... Skillful work about a friendship between two ultimately likeable guys.” ―Kirkus Reviews

“[A] lively debut... Pickett takes his readers on a jolly ride.” ―Publishers Weekly

“A buddy novel in the cinematic vein of Swingers... Pickett plays the sex-and-the-single man angle for all its worth here, nodding occasionally at such larger themes as friendship and romance. Call it Nick Hornby lite.” ―Booklist

Most helpful customer reviews

0 of 0 people found the following review helpful.
Gotta love Miles
By Megan Giles
I hate to say this, but the movie was better. Paul Giamatti makes Miles a much more sympathetic character and you really feel that he is a good guy underneath his flaws. In the book Miles comes across as a narcissist who likes to intimidate friends with his vocabulary and pretensions. We already knew how he ripped off his mom and lied about other things, but at least the film version has you rooting for him because he is adorably down on his luck. Jack however, Jack is just the same. It is hard not to laugh at his antics and his down to earth base motives. Also the book has a "boar hunt" that did not need to be there, except to show the locals as gun-toting rednecks. Some of the names were changed in the film, and Jack's girlfriend does not have a daughter in the book. I also wanted to meet his annoying in-laws but they are only in the film version. Overall a good read but not one to make you love Miles.

7 of 7 people found the following review helpful.
The Book vs. The Movie
By Mister MIster
Traditionally, a book is better than the movie version -- notable exceptions include "Field of Dreams," "Ordinary People," and "The Horse Whisperer." But now, finally having read this book and seen the movie multiple times, I vote for the movie, while giving enormous credit to Rex Pickett.

Having read the book, one must wonder about some of the choices made in the movie -- why, for example was Miles moved to San Diego for home base and why does Maya vanish for more than the last half hour of the movie? We all know the most famous line from the movie about f***king Merlot, but in the movie, the line just seems to drop out of nowhere. As Pickett writes throughout the book, Miles is so anti-Merlot and it's explained why -- we're not surprised when he gives the line in the book. I also like the fact that the novel gives context to the term "Sideways" and has Miles saying goodbye to Jack in Paso Robles, a moment lost in the movie.

As I said, give Pickett credit because the major plot points in the movie are mostly originally established in the novel. But the idea that Jack would have to pay Maya to have sex with Miles seemed silly and the whole subplot with Brad and wild boar hunting seemed irrelevant. A good book editor would have slashed this novel by at least 50 to 75 pages and made it tighter. Way too long.

I give Alexander Payne and Jim Taylor enormous credit for taking the great parts of this story and making them ring true emotionally. They truly deserved the Oscar for Best Screenplay. Replacing "Terra" with "Stephanie," replacing her shotgun with a motorcycle helmet, making Maya into a more complete person, including that lovely monologue about wine. They also put things in the proper sequence.

So the novel is more a curiosity piece to me and I suggest any aspiring screenwriter buy the book and see the movie. I would have loved to been the fly on the wall and seen/heard Rex Pickett's reaction the first time he either read the script or saw a preview. Different worlds.

0 of 0 people found the following review helpful.
Fun for wine lovers
By PLakes
For anyone who enjoyed the movie, this is a must read. The book begins with a hysterical wine tasting that should have made it to the movie, but didn't, and the ending was far more satisfying than the one in the book. Pour yourself a glass of wine--preferably not merlot--and enjoy!

See all 192 customer reviews...

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^ Download Autumn Leaves: A Novel, by Victor Mcglothin

Download Autumn Leaves: A Novel, by Victor Mcglothin

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Marshall Coates and Rorey Garland are on top of the world--best friends and superstar athletes with millions in professional contracts just around the corner. But their lives are far from perfect. Despite loving the best thing that ever happened to him-his girlfriend, Jasmine Reynolds-Marshall is constantly faced with the shapely sirens who always seem to accompany the limelight. And Rorey has a dark secret that could destroy their friendship and his life.

In Dallas, Kennedy James is a beautiful art curator who's romantically involved with the wealthy but self-centered society climber Simpson Stone. When confronted with the dilemma of what's more important, getting what she wants or having the man she needs, she finds herself caught up in a tumultuous war of the heart. When she's offered a chance at true love with a less glamorous man will she be able to take it?

As their lives converge, which of them will manage to capture happiness? And which will fall, beautiful but doomed, like autumn leaves?

Sales Rank: #3885974 in Books
Published on: 2003-09-09
Original language: English
Number of items: 1
Dimensions: 8.24" h x .97" w x 5.44" l,
Binding: Paperback
352 pages

From Publishers Weekly
Autumn Leaves is a dull, cluttered drama from first-time novelist Victor McGlothin. Marshall and Rorey are the stars of their college football team until Rorey, who has just admitted he has AIDS, kills himself. Marshall is still a hot property, but his success begins to interfere with his relationship with longtime girlfriend Jasmine. Meanwhile, Kennedy is miserable with arrogant, philandering coke dealer Simpson, but she sticks around out of habit until she is tempted by sensitive artist Legacy. Melodramatic 11th-hour plot twists (a baby, a murder, an AIDS death) only serve as reminders that nothing of interest has happened all along. The cliche-riddled prose is clumsy and condescending; stereotypes abound, especially Kennedy's mincing co-worker, Morris. McGlothin opines that "love is like a bad perm, you can spread it on thick and it still won't take" the same could be said about weak writing.
Copyright 2002 Reed Business Information, Inc.

Review
"This is a very moving story with plenty of drama, heart-pounding action and seriously emotional scenes." -- Romantic Times - 4 1/2 Stars

About the Author
Victor McGlothin nearly forfeited an athletic scholarship to college due to poor reading skills. His desire to overcome that obstacle has evolved into a joy in sharing the written word through passionate tales of suspense and drama. Victor is a former bank vice president and lives in the Dallas area with his wife and two sons.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Emotional Read!
By R. A Rippy
What a great and true to life story! I did not put this book down until I finished it! A must read for all!

0 of 0 people found the following review helpful.
Danger In A Pretty Package
By Shelia Dansby Harvey
Remember that line, 'the life you save may be your own.'? Autumn Leaves will have you doing some serious thinking about whether you've done or are in the midst of doing someone who can take your life away. Victor McGlothin uses wit, romance and the ups and downs of college life to tackle a serious subject.
It's a story that we've all lived, at least in part. College campus. True love and commitment, sans condom. Casual sexual encounters prompted by lust, depression, confusion, whatever--sans commitment and condom. Most of us made it out okay. Autumn Leaves is the story of a few who did and a few who didn't.
My favorite character is Marshall Coates, the college football hero, who cherishes his girlfriend, Jasmine. Marshall does some things that sought-after men will do, but he knows where his heart is. In his defense, had Marshall's life not taken an emotional dive, he probably never would have strayed. I love Jasmine's ability to move on, but I don't like the fact that she wants to keep her man in her hip pocket at all times. I can't understand a young sister being so wrapped up in a man that she makes hardly any friends during college. That's why women with 2.5 children and 15 years of marriage go wild at 35.
The other main female character is Kennedy, a beautiful, has it together woman on the outside, lost child on the inside. Just about every woman with any dating experience can identify with Kennedy's inability to break from her lover, Simpson Stone. But, I want to know, is it okay for a woman to be whacko just because her heart's broken? Although I felt for Kennedy, when she went off, I wanted to have her arrested.
Also, I like it that McGlothin doesn't ease up---in a reader's perfect world, orphaned/good guy Legacy would get a break. McGlothin doesn't play it that way, he makes it clear that AIDS isn't a respecter of persons. None of my single friends use condoms on a regular basis, even while they urge their sons to do so. I guess that's because the only AIDS sufferers that most of us know are gay, drug users, or women who love men in stripes. Unfortunately McGlothin's right, the next wave may hit much closer to home.

Although I've been married for some time, the implication that 'this could happen to you,' still made me squirm. That's a good thing. I hope that after reading Autumn Leaves some sister somewhere has ended a dangerous relationship and taken an HIV test. I'll bet that it's happened. That would be a great thing.

0 of 0 people found the following review helpful.
A story for anyone who has ever fallen in love
By Maggie
Looking for a relaxing read to take my mind off relationship problems, I nearly randomly chose this novel, and was pleasantly surprised. Victor McGlothin does a wonderful job of working thought-provoking instances into this entertaining story of love and life.
The characters are as real as they come, and I can't imagine that any reader would think that it was impossible to connect with any of them. From the vivid descriptions of both their physical and emotional traits, you get to know each in a way that allows you to empathize with their plights and rejoice in their victories. When a love is torn apart, you are just as angry as the person who has found out they have been cheated on, and almost as hurt. When a promising new relationship develops, you rejoice with both characters and wish them the best. And when a young man struggles with the repercussions of a bad decision, you can't help but hope along with him that he will be able to set things straight.
Universal themes of love, friendship, and consequences of choices touched home to me on several occasions. As I read, I found myself repeatedly rooting for someone dealing with a common, yet troubling issue that threatened to change their life forever. If I had never been in the situation myself, I could think of an acquaintance who had. The suspense of whether or not any given character would have the resolution that I anticipated kept me from putting this down until I had read it cover to cover.
This book manages to provide a touching, emotional story without sacrificing social importance. I laughed, cried, and paused to reflect on my own life. Each character takes you on a journey of self-exploration as they discover what really matters most to them.
I would recommend this book to absolutely everyone. The honest portrayal of the consequences rendered by choices, and of love, betrayal, and second chances pulls on your heartstrings while causing you to think about the choices you make in your own life. This was truly a wonderful read.

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Tuesday, July 7, 2015

* Ebook Download Counting Sheep: The Science and Pleasures of Sleep and Dreams, by Paul Martin

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Does the early bird really catch the worm, or end up healthy, wealthy, and wise? Can some people really exist on just a few hours' sleep a night? Does everybody dream? Do fish dream? How did people cope before alarm clocks and caffeine? And is anybody getting enough sleep?

Even though we will devote a third of our lives to sleep, we still know remarkably little about its origins and purpose. Paul Martin's Counting Sheep answers these questions and more in this illuminating work of popular science. Even the wonders of yawning, the perils of sleepwalking, and the strange ubiquity of nocturnal erections are explained in full.

To sleep, to dream: Counting Sheep reflects the centrality of these activities to our lives and can help readers respect, understand, and extract more pleasure from that delicious time when they're lost to the world.

Sales Rank: #2134499 in Books
Published on: 2004-07-01
Original language: English
Number of items: 1
Dimensions: 8.60" h x 1.38" w x 5.70" l,
Binding: Hardcover
432 pages

From Publishers Weekly
Scientist Martin (The Healing Mind) is on a mission to cure our "sleep-sick society" and convince us, for our own good, to start taking sleep more seriously. Pithy, wry and earthily humorous, this book is Martin's manifesto for a healthier society. He systematically critiques how our culture encourages us to skimp on sleep (usually so that we can work longer hours), and he rues the bad example of our befuddled, jet-lagged politicians. Applying scientific fact, theory and experiment, Martin demonstrates the similarity between sleeplessness and drunkenness; the links between the hours modern schoolchildren keep and ADHD; the role of sleeplessness in man-made disasters; and how sleeplessness and night shift work can contribute to serious illness. Martin highlights extreme abuses of sleep deprivation in torture and in warfare, while also celebrating sleep's creative power, telling of musicians who have woken up humming melodies and the scientists who benefited from the problem-solving qualities of deep REM sleep. When he discusses dreaming, Martin touches on the habits and beliefs of traditional societies as revealed by anthropologists, and neatly debunks Freud's interpretation of all dream imagery as sexual. A writer fully in command of his subject and his style, Martin reveals just how deeply and madly we pay for our collective indifference to the value of so simple a pleasure as a good night's sleep.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
As Martin catalogs what science has learned about sleep, he also exhibits a penchant for literary epigrams, cuing a discussion of insomnia or sleep's quality of escapism with a theme-setting quotation from Shakespeare, Milton, or Dickens. This arts-and-sciences combo lends fluidity to his presentation, as does his style of making a simple question (e.g., How much sleep do people need?) every subtopic's point of departure. Apparently urbanites are not getting enough sleep, and have not since the invention of electric lighting upset the dusk-to-dawn sleeping pattern of preindustrial societies. Martin chalks up the nefarious effects, including traffic and industrial accidents, impaired learning, and health problems. Our frenetic civilization also, Martin avers, deprives people of sleep's delights of restfulness and dreaming. In his synopses of sleep research, Martin exudes a sociable, we're-in-this-together demeanor that is appealing to readers, especially those willing to stand back and consider in detail how they fall asleep and dream. If in need of a popular-science introduction to slumbering, libraries can't go wrong with Martin's offering. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
British Praise for Counting Sheep:

"Energetic and immensely readable, this is as good a popular science book as I have read."
--Evening Standard

"Everything you could possibly wish to know about sleep, lack of sleep, dreams, sleepwalking, nightmares, snoring, napping, and sudden sleep death syndrome. Marvellous."
--Sunday Times

"A fascinating account of what happens during the dark third of our lives."
--Sunday Telegraph

"Martin weaves literary references to sleep, up-to-date science, and his own philosophical musings and creates an engaging and fascinating read."
--Liz Hollis, Health & Fitness

"Wide-ranging and informed."
--Jim Horne, New Scientist

"Energetic and immensely readable, this is as good a popular science book as I have read." (Evening Standard)

"Everything you could possibly wish to know about sleep, lack of sleep, dreams, sleepwalking, nightmares, snoring, napping, and sudden sleep death syndrome. Marvellous." (Sunday Times)

"A fascinating account of what happens during the dark third of our lives." (Sunday Telegraph)

"Martin weaves literary references to sleep, up-to-date science, and his own philosophical musings and creates an engaging and fascinating read." (Liz Hollis Health & Fitness)

"Wide-ranging and informed." (Jim Horne New Scientist)

Most helpful customer reviews

8 of 9 people found the following review helpful.
Scientific and Artistic Appreciation for Sleep
By Rob Hardy
We spend about a third of our lives sleeping, but we don't like to admit it. We are likely to praise the person who skimps on sleep in order to get the duties of the rest of life, "real life," done. Scientific sleep research was not even considered until recent decades. Correcting this sort of neglect of a biological necessity is one of the purposes of _Counting Sheep: The Science and Pleasures of Sleep and Dreams_ (Thomas Dunne Books) by Paul Martin. The deliberate neglect of sleep manifests itself in many ways, as if, Martin writes, we all somehow "ceased to exist at night." There is an enormous literature about sleep, not just the scientific studies that have been conducted over the past five decades, but also poems, essays, and novels having to do with sleep and dreaming. Martin gives quotations from many authors (especially Shakespeare and Dickens) in epigraphs and also as illustrations within the text to show how universal the literary concern for slumber has been; his reading is obviously wide and rich, and his book is crammed with interesting facts about aspects of sleep that ought to convince anyone that sleeping is more important, and more virtuous, than we currently esteem it.

Sleep is universal, even among other animals besides humans. Humble insects and mollusks sleep. Fruit flies find a location where they can remain immobile for a couple of hours, around the same time of day, and if you keep them from sleeping, they catch up as soon as they can. What is sleep for? Nathaniel Kleitman, the founder of modern sleep research, dodged the question. He said he would explain the role of sleep once someone had explained the role of wakefulness. Most hypotheses of the action of sleep have been shot down, and non is completely convincing or comprehensive, so there are many mysteries still to be solved. Martin makes the case that almost all of us in modern societies are deprived of sleep at least some of the time. "Love not sleep, lest thou come to poverty," says the Bible, and even Dr. Franklin roused the sluggards with the reminder that there will be sleep enough in the grave. Our eagerness to stay up, our fortitude in setting the alarm so we get an early start, are not virtues at all, Martin shows. Sleep deprivation robs the next day of comfort and productivity, but can also produce disasters. The grounding of the Exxon Valdez, the Challenger explosion, the near-disaster at Three Mile Island nuclear power station and the true disaster at Chernobyl might not have happened had the personnel involved all been sleeping well. There are many sleep diseases, but the very worst is Fatal Familial Insomnia, in which sufferers endure worsening sleep until their brains become incapable of generating sleep brain waves. Not even the strongest barbiturates bring sleep, and death invariably results.

There isn't much here about that other bed activity, sex, but there is chapter on the universal phenomenon of nocturnal erections and the equally universal one of yawning. There is a chapter on beds, many of them strange or expensive. Cardinal Richelieu was so devoted to staying in bed that he traveled in his bed, with porters carrying him. If he visited you, you would have to tear down a wall or two so that he could be carried, still abed, into your house where he would begin his meetings, again still abed. There is the story of how the Soviets harnessed sleep deprivation by amplified music and flares to keep Nazis from sleeping and overtaking Leningrad. Famous sleepers are profiled. The pianist Anton Rubinstein would have overslept every morning except that his wife found the perfect solution. She would play an unresolved chord on his piano, and he would leap out of bed to complete it. You can learn here about increasing the likelihood that you will remember your dreams, or how to increase your chances of lucid dreaming, during which you have more control over the dream than usual. Throughout this informed survey runs the recurrent and welcome message: Sleep is important, you probably don't get enough, and you should enjoy a good sleep just as you do a good meal. And naps are good for you. Brightly written, Martin's book cannot itself induce somnolence, but can just make us act upon it more readily and knowingly.

5 of 5 people found the following review helpful.
An Encyclopedic Sleep Manifesto
By Stephanie Silva
"The mere presence of an alarm clock implies sleep deprivation." What's the purpose of sleeping and dreaming? Some would just as well ask what's the purpose of wakefulness, or elegant dining, and I've been happily one of them since I was kid who early understood the delicious and miraculous sensuality of that mere third of our lives spent sleeping and dreaming. (Some of us wish it was an acceptably higher percentage.) With whimsical puns and humor appropriate to any lover of sleep ("Give sleep a chance." "Falling asleep again, what am I to do?"), Dr. Martin covers everything from the art of lucid dreaming to the history of beds -- and everything his delightful and agile mind can squeeze into 432 pages in between. No kidding. Despite the format that already feels like a sad "remainder," no self respecting sleep aficionado will be without this book on a nightstand (or coffee table, perchance to recruit other sleep and dream connoisseurs). Loaded with countless "aha" and "wow" current research facts and implications -- and plenty of encouragement to include the exquisite pleasures of sleeping and dreaming in daily life. Highly recommended educational material for the materially insane Western world. Zzzzzz.

4 of 4 people found the following review helpful.
"The Science and Pleasures of Sleep and Dreams"
By Joel M. Kauffman
A very good subtitle for this encyclopedic book, also the title of this review, which could have included the words "and everything that can go wrong with sleep and the lack of it". Easy to read, exhaustively referenced (but without numbered references), Martin's dry humor is sparse at the beginning, but expands nicely as the book progresses. There are no picures, tables or graphs. For my taste, too many myths, legends, personal anecdotes, and non-scientific thoughts including poetic fantasies detracted from the many experimental findings that were presented.

Every aspect of sleep was addressed: REM, NREM, deep-wave, insomnia, too little sleep with many warnings about its effect on driving and other activities, alcohol and sleep, falling asleep, snoring, apnea, dreaming, waking up, SIDS...everything! Some conclusions were not surprising - many people in industrialized countries are suffering from too litttle sleep or too little deep sleep, and wake up to alarm clocks, a stress. Many school children sleep through classes because of poor regular sleep.

Martin demonstrated a few lapses in content. Chronic Fatigue Syndrome was said to have complex causes, including "malfunctioning immune reactions" (p21). Actually, it is proven that food allergies, especially grain allergies, are a common cause of CFS. People who get sleepy 90 minutes after eating a meal (p157) was not connected with hypogycemia from high-carbohydrate food. ADHD may well be caused by poor sleeping (p232), but no mention of its possible connection with diet was made (J. Am. Phys. Surg. 2003;8(2):58-60). Serum cholesterol levels were said to be a risk factor for heart disease (p263), which they are not when age is taken into account (see The Cholesterol Myths, Uffe Ravnskov). Eating fat, unless it was all trans fat, was not likely to be the cause of Elvis Presley's early death (p280). Grinding of teeth while sleeping was adressed with several types of treatments (p283), yet the simple plastic tooth guard was not mentioned. Irritable bowel syndrome (p284) was not connected with grain allergies. SIDS causes (p328) did not include too many vaccines too early in life as a possible cause.

Despite the caveats, this is a very good book.

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Sunday, July 5, 2015

^ Get Free Ebook The Year's Best Science Fiction: Twenty-Second Annual CollectionFrom St. Martin's Press

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Widely regarded as the one essential book for every science fiction fan, The Year's Best Science Fiction (Winner of the 2004 Locus Award for Best Anthology) continues to uphold its standard of excellence with more than two dozen stories representing the previous year's best SF writing. The stories in this collection imaginatively take readers far across the universe, into the very core of their beings, to the realm of the Gods, and to the moment just after now. Included are the works of masters of the form and the bright new talents of tomorrow. This book is a valuable resource in addition to serving as the single best place in the universe to find stories that stir the imagination and the heart.

Sales Rank: #1609624 in Books
Published on: 2005-07-01
Released on: 2005-06-23
Original language: English
Number of items: 1
Dimensions: 9.54" h x 2.06" w x 6.36" l,
Binding: Hardcover
704 pages

From Publishers Weekly
Starred Review. The latest in Dozois's definitive, must-read short story anthology series takes the pulse of science fiction today, revealing it to be a genre of breathtaking scope and imagination. Classic SF situations take on a new twist: observation/first-contact stories "The Ocean of the Blind" by James L. Cambias and standout "The Clapping Hands of God" by Michael F. Flynn follow humans as they disastrously make contact with alien species that they cannot comprehend; in Stephen Baxter's generation-starship story, "Mayflower II," someone has to stay awake to tend the humans throughout the millennia of travel; and in the postapocalyptic world of Brendan Dubois's "Falling Star" we mourn the loss of our civilization. Several stories first appeared online, including Christopher Rowe's Hugo nominee, "The Voluntary State," which outrageously plays with Tennessee icons, and Vernor Vinge's "Synthetic Serendipity," about boys' virtual reality games. A comprehensive summation of the field and a list of honorable mentions make this book indispensable as a reference volume. The range of stories and styles means there's something here for everyone.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Dozois' yearly anthology always satisfies connoisseurs of short sf and showcases the best stylists and tale-tellers in the genre. As Dozois says in his introductory "Summation 2004," although sf periodicals took a downturn last year, expanding Web and book markets proved fertile for newcomers. Hence, this year's edition features a generous sampling of sf neophytes and rising stars, such as Benjamin Rosenbaum, David Moles, and Christopher Rowe. Joining them are the usual seasoned veterans, from Nancy Kress and Vernor Vinge to Pat Murphy and Terry Bisson. Outstanding entries include Michael Flynn's "The Clapping Hands of God," wherein a group of interstellar explorers discovers a world that resembles paradise until they become entangled in the natives' seasonal warfare; hard sf master Stephen Baxter's "Mayflower II," which eavesdrops on the birth of a new civilization aboard a generation starship; and Kage Baker's wry "Mother Aegypt," about a time-traveling con artist in premodern Europe. An indispensable and entertaining omnibus for every sf collection. Carl Hays
Copyright © American Library Association. All rights reserved

Review
“The latest in Dozois's definitive, must-read short story anthology series takes the pulse of science fiction today, revealing it to be a genre of breathtaking scope and imagination…. The range of stories and styles means there's something here for everyone.”—Publishers Weekly (Starred Review)

Most helpful customer reviews

0 of 4 people found the following review helpful.
Really is the best
By E. N Ritchie
Gardner Dozois routinely edits the best collection of the years short SF. If that's what you want then his is the one you buy first, all others second.

63 of 78 people found the following review helpful.
Good and Bad
By Brad Shorr
A hard edition to rate. There's an awful lot of gloom and doom, but the atmosphere and characters are generally vivid and plots tight with unambiguous endings.

"Inappropriate Behavior" by Pat Murphy. Spot the looney! A mental patient must overcome her sane doctor to save a shipwrecked anthropologist. B

"Start the Clock" by Benjamin Rosenbaum. In a future USA where reality, time and the Internet freely mingle, some kids never grow up-literally. C

"The Third Party" by David Moles. Planet resembling early 20th century Earth beset by space faring capitalists and socialist missionaries, with the hero getting caught in the crossfire big time. Stunning characters and atmosphere. A

"The Voluntary State" by Christopher Rowe. Life on this chaotic alternate Earth is only slightly less perplexing to the characters than to me. D

"Shiva in Shadow" by Nancy Kress. The shadowy nether regions of their own minds prove more baffling and dangerous than even the anomalous black hole being explored by two space scientists and a ship captain. Brilliant juxtaposition of infinite space and interior man. A+

"The People of Sand and Slag" by Paolo Bacigalupi. Bioengineered super humans render the animal kingdom obsolete, but a surprising visitor disturbs their illusions of grandeur. Poignantly asks, will science make us more than men, or less? A

"The Clapping Hands of God" by Michael F. Flynn. Scientists travel through wormhole to secretly observe a planet inhabited by gentle humanoids, yet danger fills the air. The artfully drawn aliens are fascinating. A

"Tourism" by M. John Harrison. Gritty lowlifes hang out in a seamy otherworld bar with nothing much to do but generate more atmosphere. C

"Scout's Honor" by Terry Bisson. Elegantly plotted time travel story in which a scientist becomes best buds with a Neanderthal. A

"Men Are Trouble" by James Patrick Kelly. Earth is dominated by avian aliens who have plucked away all the men. Hard-boiled detective story just can't get off the ground. C

"Mother Aegypt" by Kage Baker. Characters leap off the page in this medieval spellbinder about black magic true and false. A

"Synthetic Serendipity" by Vernor Vinge. Baby boomers flounder in the new Net society. This one rings uncomfortably true. B

"Skin Deep" by Mary Rosenblum. Tender interplay between a horribly disfigured boy and a surgeon with new techniques and mysterious motives. B

"Delhi" by Vandana Singh. The author captures the mood of Delhi as dwellers past and future come alive for a current day resident who can't quite understand what he sees. C

"The Tribes of Bela" by Albert E. Cowdrey. The natives are restless, to say the least, on a distant planet being mined by a company from Earth. And some natives they are! Superb space adventure with lots of action and a great ending. A

"Sitka" by William Sanders. The call of the wily. Grim and fatalistic alternate history with Lenin and Jack London up to no good in Sitka. B

"Leviathan Wept" by Daniel Abraham. Dismal picture of life in our near future, when terrorism rules as if by design. Chilling, real, almost unbearable to read. A

"The Defenders" by Colin P. Davies. Old man teaches his granddaughter a bitter life lesson in this complex and mystical vignette. A

"Mayflower II" by Stephen Baxter. The entire religious and political evolution and devolution of Western culture play out in microcosm aboard a starship where generations of humans are escaping to a new home twenty thousand years away-all related, alas, with the rationalistic and cynical vigor so typical in this edition. Still, mesmerizing and elegantly crafted in all respects, so reluctantly, A+

"Riding the White Bull" by Caitlin R. Kiernan. A profanity-laced narrative seriously detracts from this already marginal story, a tangled nightmare of social collapse and personal despair in the face of a gruesome alien attack. D

"Falling Star" by Brendan Dubois. Technology collapses and society reverts to the "Old Ways", which Mr. Dozois describes as "bigotry, intolerance, and fear." Apparently this is the totality of his conception of faith, yet he serves up story after story dramatizing the futility of science--a rather hopeless vision. C

"The Dragons of Summer Gulch" by Robert Reed. A fantasy world resembling the Old West has all sorts of characters scrambling for control of some relics--for all sorts of reasons. B

"The Oceans of the Blind" by James L. Cambias. This first contact story has three wonderful elements: snappy shifts in point of view between the aliens and humans, a perfect balance of humor and horror, and fascinating alien adaptation at the bottom of a deep, dark and dangerous ocean. A+

"The Garden: A Hwarhath Science Fictional Romance" by Eleanor Arnason. Feminist editorial masquerades as fiction. D

"Footvote" by Peter F. Hamilton. Angry leftist editorial with barely the pretense of masquerade. D

"Sisyphus and the stranger" by Paul Di Fillipo. Albert Camus plies his existential trade in an alternate world where the French Empire rules all. B

"Ten Sigmas" by Paul Melko. Slice(s) of life for a "massively parallel human" is somewhat over my head, but intriguing nonetheless. B

"Investments" by Walter Jon Williams. Political intrigue and a desperate fight against cosmic forces in a far-flung pan-galactic empire. C

15 of 15 people found the following review helpful.
It's the best SF of the year again
By David Roy
Another year, and another set of "Year's Best" anthologies. While I've always enjoyed David Hartwell's anthologies, last year was the first time that I read the more venerable one edited by Gardner Dozois. However, I enjoyed last year's so much that I just had to check out this year's, the 22nd annual edition. As was last year's, it is an imposing book, with twenty-nine stories in it, all from acclaimed science fiction authors. Unfortunately, I find this year's edition not quite as good as last year's. There were a few stories in it that just didn't do anything for me. On the other hand, there were definitely some stand-outs.

In a rarity for me, some of my favourite stories in the book were more on the hard science side than is usual for my taste. There is Stephen Baxter's excellent "Mayflower II," which deals with a generation ship on a trip to the far reaches of the galaxy and beyond, and what happens in the meantime. On the very edge of the solar system, there is a colony that has hidden itself away the alien Qax who had conquered the Earth. Now, the Coalition of Interim Governance has freed Earth, and is on its way to the colony. Five generation ships are dispatched to save as many of the colony's citizens as possible. On Rusel's ship, the "Pharaoh" of the ship has decided that they are going to journey all the way across the galaxy, a trip that will take many thousands of years. The story is Rusel's, and how he becomes virtually immortal, and how the citizens of the ship begin to devolve as time goes on. It's a truly horrifying story in a way, demonstrating what isolated societies can become over time. For a while, I was beginning to get bored with the story, as it's not really my favourite type of story and it was quite long. However, I soon got wrapped up in this society, and Rusel's severance from his own humanity. It's a slow story in some ways, but the ideas behind it just grab you and don't let you go. It's probably the best story in the book.

Another great story is "The Clapping Hands of God" by Michael F. Flynn. In this one, a gate has opened to another world. Teams of scientists go through these gates to explore the worlds, but this one just happens to be inhabited by an intelligent species. Hassan Maklouf is the leader of this particular expedition, and he is in charge of making sure they are not seen by the inhabitants, as well as making all the decisions. The studies are going well, with some progress being made on studying their language as well as their culture. Theories are presented for why they act in certain ways, especially when an apparently martial rally is seen. This is followed by what appears to be a couple spending their last night together. Then things really start to go wrong, as Hassan discovers that they aren't the only invaders here. There are two main characters in this story, Hassan and a female anthropologist, Iman. There are some romantic sparks between them, even as they both try to act like proper Moslems. However, the broader story is their conflict once things start to go wrong, as Iman is the humanitarian scientist and Hassan is the practical one. The ending is tragic, all the more so because of the hints of their relationship earlier in the story. It was very nice to see a story where the characters' religions were just part of their character, rather than a main part of the story. While these two are the main characters, all of the other scientists are also well done, giving the story a broad tapestry on which to weave its magic.

While those two stories were the best of the lot in my opinion, other strong stories included "The Tribes of Bela" by Albert Cowdrey (a series of grisly murders on a remote mining colony are symptoms of a planet that's trying to reclaim itself and expel the invaders), "Leviathan Wept," by Daniel Abraham (a member of a futuristic anti-terrorism squad discovers that fanaticism comes in all shapes and sizes, including possibly his own), and "Investments," by Walter Jon Williams (a space opera that gives us illegal business dealings as well as a star cluster shooting out x-rays that could destroy the planet, making the investigation of the business dealings kind of moot). Most of the other stories in this volume were also quite good, or at least readable.

Some choices I did disagree with, however. As I said above, "Mother Aegypt" isn't one of Baker's best stories. It has a strong first three-quarters, but then fell apart for me at the end. "Start the Clock," by Benjamin Rosenbaum, was a nice little story but I didn't find the world that believable and thus I wouldn't include it among the best of the year. Finally, I didn't really care for "The Defenders," by Colin P. Davies, when I first read it in Asimov's. It didn't improve when I read it again here. It was decent, but again not one of the best.

One thing I do have to say about the quality of this anthology, however, is that the copy editing was horrendous. Typos were all over the place, a few words were wrong here and there. I usually don't notice these things, as I'm sure they exist in almost every book that's out there. When I do notice them, however, it must really be bad. That being said, I really did enjoy this anthology, and while it's not as good as the 21st edition, it is definitely worth picking up if you like science fiction. Dozois is one of the best editors out there, and it shows once again.

David Roy

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Friday, July 3, 2015

^ Ebook Free Sarah's Quilt: A Novel of Sarah Agnes Prine and the Arizona Territories, 1906 (Sarah Agnes Prine Series), by Nancy E. Turner

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Sarah's Quilt, the long-awaited sequel to These Is My Words, continues the dramatic story of Sarah Agnes Prine. Beloved by readers and book clubs from coast to coast, These Is My Words told the spellbinding story of an extraordinary pioneer woman and her struggle to make a home in the Arizona Territories. Now Sarah returns.

In 1906, the badlands of Southern Arizona Territory is a desolate place where a three-year drought has changed the landscape for all time. When Sarah's well goes dry and months pass with barely a trace of rain, Sarah feels herself losing her hold upon the land. Desperate, Sarah's mother hires a water witch, a peculiar desert wanderer named Lazrus who claims to know where to find water. As he schemes and stalls, he develops an attraction to Sarah that turns into a frightening infatuation.

And just when it seems that life couldn't get worse, Sarah learns that her brother and his family have been trapped in the Great San Francisco Earthquake of 1906. She and her father-in-law cannot even imagine the devastation that awaits them as they embark on a rescue mission to the stricken city.

Sarah is a pioneer of the truest spirit, courageous but gentle as she fights to save her family's home. But she never stops longing for the passion she once knew. Though her wealthy neighbor has asked her to wed, Sarah doesn't entirely trust him. And then Udell Hanna and his son come riding down the dusty road. . . .

Sales Rank: #134574 in Books
Brand: Turner, Nancy E.
Published on: 2006-08-22
Released on: 2006-08-22
Original language: English
Number of items: 1
Dimensions: 8.20" h x 1.18" w x 5.49" l,
Binding: Paperback
432 pages

Features

Nancy E. Turner
Western
Historical fiction

From Publishers Weekly
Turner (These Is My Words) resumes the fictionalized diary of her great-grandmother, Arizona frontierswoman Sarah Agnes Prine, four years later in this day-by-day account of seven months in which the indomitable, twice-widowed rancher faces drought, prairie fire, a stampede, a hanging and a proposal. Sarah fears losing her ranch: "I need money and I need rain. Both of them in good order and flowing over." Even help brings worry: Sarah's prosperous neighbor offers sympathy and marriage; sons Gilbert and Charlie return home, defying their mother's wish that they complete their education; Sarah's mother sells land to hire a water witch with spiritual gifts and frightening proclivities; visiting nephew Willie runs away with Sarah's savings. Sarah goes to San Francisco, where her brother has lost everything in the 1906 earthquake, and Gil and Charlie ride south in search of Willie. Not all the news is bad, though. A new neighbor proves a good friend and promises to be more, while his son champions Sarah through legal challenges to her land. Older, tougher, wiser, Sarah enchants with her plainspoken energy and honesty. The title may suggest a gentle tale of domestic comfort, but the book is as straightforward, gritty and persistent as the woman who inspires it and as memorable as the landscape where she carves out her life.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The sequel to the widely applauded These Is My Words (1998) continues the previous novel's story line based on the life and adventures of the author's great-grandmother. It is set in the Arizona Territory and is as robust, authentic, and exciting as its predecessor. Sarah's tale follows the challenges, setbacks, and successes she faces from her particular vantage point on the frontier from spring to winter in the year 1906. At this point, Sarah is a widow with grown sons who still live with her on her cattle ranch, and with her brother and sister-in-law and mother all living close by, she enjoys the precious support of family. In fact, the primacy of family is the novel's major theme as Sarah negotiates a path full of physical hardships, including a drought threatening her ranch's very existence. With a highly dramatic narrative, the novel nevertheless achieves its fullest effect as a character study. Told in Sarah's charming voice, a vividly conjured picture of her place and time. Brad Hooper
Copyright © American Library Association. All rights reserved

Review

“Older, tougher, wiser, Sarah enchants with her plainspoken energy and honesty. The title may suggest a gentle tale of domestic comfort, but the book is as straightforward, gritty and persistent as the woman who inspires it and as memorable as the landscape where she carves out her life.” ―Publishers Weekly

“Robust, authentic, and exciting as its predecessor . . . a vividly conjured picture of her place and time.” ―Booklist

“Authentic in its detail, the novel's pace and intriguing cast of characters are reminiscent of Larry McMurtry's Lonesome Dove. A sensitive, vibrant story about the strength of love and family told in the voice of a woman who must be reckoned with.” ―Denver Post

“If you want a picture of what life was like back then, look no further. Authentic in feel, [this] is convincing historic fiction. The armchair traveler is in for an exciting trip.” ―The New Mexican

“Hard times, danger, love, well-defined characters and a strong sense of place all merge to form the heart of this realistic novel.” ―Dallas Morning News

“All the enduring elements of the mystery that is life on earth can be found between the pages of this book. It is a perfectly authentic story, beautifully executed by its author.” ―Michael Blake, author of Dances with Wolves and The Holy Road

“Gritty Sarah Elliot, who lassoed our hearts in These Is My Words, proves that women as well as men tamed the West.” ―Sandra Dallas, author of The Diary of Mattie Spenser

“Sarah Prine is the real article . . . the kind of woman that any real man will cherish, if he's lucky enough to find her, and smart enough to know it.” ―Don Coldsmith, author of the Spanish Bit Saga

“Action-packed. . . . We'd trust [Sarah's] judgment if a wildfire were running straight at us. We're in good hands, calloused and strong. Turner has lived in Sarah's landscape and writes with a sharp eye for the fine points of the times.” ―Tucson Guide Quarterly

Most helpful customer reviews

0 of 0 people found the following review helpful.
Ehhhh....
By Kristyn
This is the sequel to "These are my words." The first book was wonderful and I was really looking forward to reading the sequel. However, I didn't find it to be up to par. The book dragged on and took me a while to get into. Some of the chapter were so long that I found myself dozing off during reading them. It wasn't until the end of the book that it started to pick up again. I found this book was a little disappointing since it couldn't live up to the first book.

6 of 7 people found the following review helpful.
A Worthy Sequel
By Tamela Mccann
Sarah's Quilt picks up the story of Sarah Prine Elliott in 1906, about six years after the loss of her beloved Jack. Sarah has moved back to the ranch and is facing many obstacles,including a drought that has caused her well to run dry. Again Turner brings to life Sarah's indomitable spirit and forces us to get inside her skin. Turner excellently depicts the hardships of life on a ranch around the turn of the century, and she effortlessly makes us understand Sarah's motivations, fears, and regrets. My only disappointment with this book is the fact that it is not written in diary format as was These Is My Words and I think it takes a little away from the intimacy of the writing. But other than that admittedly minor complaint, this book is a worthy sequel and just as engrossing. It will grip you around the heart and run you through the gamut of emotions. Highly, highly recommended.

0 of 0 people found the following review helpful.
A GOOD Sequel
By Karen Kent
Yes, it's a sequel, but it's a GOOD one! Ms. Turner picked right up where she left off in These Is My Words, and what a pleasure to be able to spend another year with Sarah. Ms. Turner has a unique talent for expressing the most subtle yet critical detail of every-day life in The Territories not only to move the story along, but, much to the reader's surprise, to absorb us into the story, putting us on the bench seat of a covered wagon right there next to Sarah. I'm grateful to Ms. Turner for sharing that talent with us!

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Wednesday, July 1, 2015

~ Free PDF Play the Scene: The Ultimate Collection of Contemporary and Classic Scenes and Monologues, by Michael Schulman, Eva Mekler

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Alexander Dumas * Christopher Durang * Beth Henley * Kenneth Lonergan * Donald Margulies * Steve Martin * Nicky Silver * Bernard Shaw * Alfred Uhry * Paula Vogel

A collection of the greatest scenes and monologues ever written-ranging from Elizabethan to Tony Award-winning plays-this comprehensive anthology spans over five hundred years of theatre. Play the Scene: The Ultimate Collection of Contemporary and Classic Scenes and Monologues by coauthors Michael Schulman and Eva Mekler includes scenes and monologues from classic plays by such notable authors as Edith Wharton as well as the best in contemporary theatre, such as Margaret Edson's Wit.

* Blight Spirit * Camille * The Chosen * The Graduate * How I Learned to Drive * The Last Night of Ballyhoo * The Lisbon Traviata * This Is Our Youth * Vincent in Brixton * And many more!

Sales Rank: #243259 in Books
Published on: 2004-12-07
Released on: 2004-11-11
Original language: English
Number of items: 1
Dimensions: 8.50" h x .75" w x 5.50" l, .95 pounds
Binding: Paperback
336 pages

About the Author

Michael Schulman is an acting teacher who has taught at the prestigious Lee Strasberg Theatre Institute and the Actors Studio. He founded the British-American Acting Academy and has written and directed a number of plays for Off-Broadway theatre. He is also a psychologist and an author of books on child development.

Eva Mekler is a former actress who has performed both on and off Broadway. She is also a novelist and author of books on American and British acting training.

Play the Scene is Michael Schulman and Eva Mekler's fifth book of scenes and monologues for actors, including Great Scenes and Monologues for Actors, available from St. Martin's Press.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Great Scene Book for Acting Class
By Robert Gorg
I teach acting in a Community College and have struggled to find a good, modern scene book for classroom scenes. This is it. The scenes in this book are quite modern, easy to relate to by young actors and, generally, of high quality. This book is also useful for audition scenes and monologues. The other book I would recommend is Duo: Great scenes of the 90's although that text is becoming somewhat dated.

0 of 4 people found the following review helpful.
Play the Scene Review
By Lilia Urrutia
This book arrived prior to my first class. It is great to have your purchase mailed to you in a timely fashion.

3 of 3 people found the following review helpful.
Buy this book
By Cathrine J. Colangelo
If you are a teacher of theatre or an actor looking for good material, get this book. It is full of great material,well organized into sections (two women, woman and man etc.)and just the right length.Best collection I own.

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Friday, July 10, 2015

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Wednesday, July 8, 2015

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Tuesday, July 7, 2015

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Sunday, July 5, 2015

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Friday, July 3, 2015

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Wednesday, July 1, 2015

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