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The Bridge of Sighs: A Novel (Yalta Boulevard Quintet), by Olen Steinhauer
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In this auspicious literary crime debut, an inexperienced homicide detective struggles amid the lawlessness of a post-WWII Eastern European city.
It's August, 1948, three years after the Russians "liberated" this small nation from German Occupation. But the Red Army still patrols the capital's rubble-strewn streets, and the ideals of the Revolution are but memories. Twenty-two-year-old Detective Emil Brod, an eager young man who spent the war working on a fishing boat in Finland, finally gets his chance to serve his country, investigating murder for the People's Militia.
The victim in Emil's first case is a state songwriter, but the evidence seems to point toward a political motive. He would like to investigate further, but even in his naivete, he realizes that the police academy never prepared him for this peculiar post-war environment, in which his colleagues are suspicious or silent, where lawlessness and corruption are the rules of the city, and in which he's still expected to investigate a murder. He is truly on his own in this new, dangerous world.
The Bridge of Sighs launches a unique series of crime novels featuring a dynamic cast of characters in an ever-evolving landscape, the politically volatile terrain of Eastern Europe in the second half of the 20th century.
The Bridge of Sighs is a 2004 Edgar Award Nominee for Best First Novel.
- Sales Rank: #503049 in Books
- Brand: Steinhauer, Olen
- Published on: 2004-02-01
- Released on: 2004-02-12
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .84" w x 5.49" l, .57 pounds
- Binding: Paperback
- 278 pages
From Publishers Weekly
Set in 1948 in a small, unnamed Eastern European country devastated by WWII and still occupied by Russian troops, Steinhauer's promising debut introduces 22-year-old homicide inspector Emil Brod of the People's Militia. Brod's police academy training has prepared him for neither the rude reception he receives from his homicide comrades nor the difficult and risky assignment handed him as his initiation. The brutal murder of a moderately successful writer of patriotic songs enmeshes the bewildered Brod in an investigation hampered by his inexperience and lack of support from above as well as by other forces unknown but soon felt. Brod's trial by fire takes him through city and village, from small bars and tenements to streetwalkers and party officials. Steinhauer deftly presents minor characters, while he richly renders the country's travails as war is followed by occupation, suspicion, corruption and betrayal. The trail of murder, blackmail and wartime secrets even leads Brod to a divided Berlin, where he observes the non-stop activity at Tempelhof Airport during the Allied airlift. Perhaps the novel's weakest element is the amorphous Brod, though his appeal grows as the story progresses. One looks forward to Brod's developing into a fully realized character in future books in the series.
Copyright 2003 Reed Business Information, Inc.
From Library Journal
In 1948, in a small, unnamed Eastern European country, homicide detective Emil Brod has been assigned a case that no one wants him to solve. To make matters worse, he's only 22 years old, this is his first case in the People's Militia, and his colleagues think he's a spy. The victim, a state songwriter, appears to have been blackmailing a politicos, a man formerly known as Smerdyakov the Butcher who has connections to the highest levels of the state and a past that includes wartime atrocities for the Nazis and then the Russians. In his attempt to uncover the truth, Brod soon finds himself battling a host of obstacles (including the murder of his best witness). At the same time, he finds himself attracted to the songwriter's wife, who becomes his lover and a possible victim herself. This is an intelligent, finely polished debut, loaded with atmospheric detail that effortlessly re-creates the rubble-strewn streets of the postwar period in an Eastern state "liberated" from German occupation by the Russians. Highly recommended for mystery collections.
Ronnie H. Terpening, Univ. of Arizona, Tucson
Copyright 2002 Reed Business Information, Inc.
From Booklist
*Starred Review* In 1948, in an unnamed Eastern European country behind the lowering iron curtain, Emil Brod reports for work as a homicide detective in the People's Militia. Fresh from the academy, his first day is a punch in the balls—literally. His new colleagues hate him, and he has no idea why. Forced to beg his boss for work, the case he is finally given is a political time bomb that seems certain to end his career before it's even started. But tenaciously, and despite frequent bodily injury, he persists, following clues that lead him to a rich widow's arms, to a Communist Party untouchable, and finally back to the events of World War II. It's hard to believe this is a debut: Steinhauer marries deft plotting with creative characterization and sets the union in a vividly re-created milieu. The case—a famous composer has had his head bashed in, possibly over a blackmail plot—is complicated by personalities, politics, geography, and the uncertainty of a torn continent trying to sew itself back together. Particularly inspired are the scenes set in the rubble of West Berlin, during the Berlin Airlift, which evoke an atmosphere worthy of the newsreels minus the scratches on the film. Part mystery, part thriller, part spy story—entirely promising. For fans of Eric Ambler, J. Robert Janes, Martin Cruz Smith, and Alan Furst. Graff, Keir
Most helpful customer reviews
48 of 52 people found the following review helpful.
Try "The Tourist" First
By T. Stroll
It shows the continuing genius of "Casablanca" that a single verse from that movie can encapsulate the atmosphere of "The Bridge of Sighs." It comes from Annina, the young Bulgarian refugee who tells Rick Blaine, "We come from Bulgaria. Oh, things are very bad there, monsieur. A devil has the people by the throat." That's "The Bridge of Sighs" in a nutshell, and therein lies the challenge to the reader: how to enjoy such a relentlessly cheerless plot.
Moreover, neither the main character, Emil Brod, nor his love interest were particularly engaging. Brod's grandfather, a logorrheic simpleton, drove me to distraction with his tedious and tendentious bromides about the glories of socialism.
The novel was undermined further for a reason that's not the author's fault. I listened to the audio version and found it irritating. The reader made a number of characters sound like Grandpa Simpson, whose voice on "The Simpsons" cartoon television show is perhaps the most grating on television. There's a gay character who the reader caused to sound like the stereotypical mincing homosexual--with an overlay of Grandpa Simpson! The women, young and old, tended to sound octogenarian.
But Steinhauer is a talented writer. If you start by reading "The Bridge of Sighs," you may stop there, which would be a shame. Read Steinhauer's "The Tourist" first. It's a fine thriller, worth five stars. Then turn to "The Bridge of Sighs" and see if you like it. People's tastes vary, and the written text may be easier to absorb than was the audio version.
0 of 0 people found the following review helpful.
Seemed like an awkward introduction and unveiling of storyline
By Thomas D. Neumann
Seemed like an awkward introduction and unveiling of storyline. It may prove smoother with a re-read but not really that enthralling to tempt one to jump into a re-read. Might try book 2 to see if story/characters more accessible and interesting as novel of mystery intrigue etc.
3 of 6 people found the following review helpful.
Olen Steinhauer-Unable to Sell the Story
By Marco Antonio Abarca
It is 1948, the Iron Curtain has recently fallen in an un-named, Eastern European country. A song writer who specialized in patriotic melodies has been brutally murdered and a young homocide detective has been assigned the case. How will the innocent policeman navigate a cynical post-war world? A perfect premise for lovers of the noir police procedural.
Unforutnatley for the author Olen Steinhauer, post-war Eastern Europe was a real place and the concrete details are important. His strategy of creating a composite Eastern European country fails because he is unable to construct a realistic setting which permits the suspension of disbelief. Post war Eastern Europe has a rich history and there were plenty of vicious characters and nasty places to fill even the most hard boiled noir detective story. There is no need for a "Ruritania" like setting.
Sixty years have passed since the fall of the Iron Curtain across Eastern Europe. Any novelist who wants to set a story in this world must do the necessary research. Many years have passed but the era still resonates with modern readers. It is this attention to detail that separates distinguished novelists like Alan Furst from the also rans like Olen Steinhauer.
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