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We Should Never Meet: Stories, by Aimee Phan
Fee Download We Should Never Meet: Stories, by Aimee Phan
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The eight linked stories that comprise Aimee Phan's chilling debut are inspired by "Operation Babylift," the evacuation of thousands of orphans from Vietnam to America weeks before the fall of Saigon. Moving effortlessly between the war-torn homeland and Orange County's "Little Saigon," Phan chronicles the journeys of four such orphans. Passionate and beautifully written, We Should Never Meet is an utterly fresh reconsideration of the Vietnam War for a new generation and heralds the arrival of one of "the very best of the new wave of Asian-American authors" (David Wong Louie).
- Sales Rank: #91927 in Books
- Published on: 2005-11-15
- Released on: 2005-11-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .58" w x 5.50" l, .75 pounds
- Binding: Paperback
- 256 pages
From Booklist
The linked stories that make up this dynamic debut are spare in their approach but profoundly observant. One painful narrative thread follows a mother as she sends her daughter off with Operation Babylift, an initiative launched in Vietnam in the mid-1970s to rescue 2,000 babies from a crumbling Saigon. Another traces the tensions between bookish Mai and hoodlumesque Kim, both Operation Babylift orphans living in L.A., now in their teens. Mai studies very hard, while Kim is a thief and a vicarious member of an Asian gang who inadvertently harms someone she wouldn't have purposefully targeted. These stories read quickly, and yet the deliberateness of their word choice and their motion make it evident that they've been planned very carefully, down to the last detail. Phan plays up the intrinsic toughness of L.A and the chaos of present-day and war-era Vietnam to moving effect in this unassuming but hard-edged psychological travelogue, which memorably shows the ways humans bob and weave against ever-present alienation. Max Winter
Copyright © American Library Association. All rights reserved
Review
“With almost plainsong dialogue and unornamented description that takes you straight to the troubled hearts of these people . . . Phan [builds] an unsentimental, profoundly persuasive portrait of ordinary people making the best of extraordinary, almost inexpressible tragedy.” ―Elle
“Remarkable . . . The stories are indelible yet float past you . . . many complicated issues are brought to life here.” ―San Francisco Chronicle
“Phan charts [these] journeys with acuity, sensitivity, [and] wisdom.” ―Los Angeles Times
“Phan accomplishes what only a true artist can: she gives voice to the voiceless and makes them speak for us all. This is a thrillingly important book.” ―Robert Olen Butler
“There is nothing more satisfying for readers than having an author take them to a place they think they know, and then showing them how very little they actually do.” ―Hartford Courant
From the Back Cover
Praise for We Should Never Meet
"This extraordinary book creates with eloquent dignity an intricate bridge of human stories connecting America and Vietnam."
- Lan Samantha Chang, author of Hunger: A Novella and Stories
"With this remarkably original and impressive debut Aimee Phan takes her place among the very best of the new wave of Asian-American authors. Few, if any, rival the literary ambition and thematic scope so evident in We Should Never Meet, which deftly spans generations, continents, and cultures. The lives revealed here are those of perhaps the most neglected victims of the Vietnam War, its orphans---those abandoned by American GIs and those who lost parents. Phan's loving but unflinching look at these displaced lives illuminates the murky heart of a forgotten American tragedy."
- David Wong Louie, author of The Barbarians Are Coming
"In Aimee Phan's collection of stories, We Should Never Meet, she accomplishes what only a true artist can: She gives voice to the voiceless and makes them speak for us all. This is a thrillingly important book."
- Robert Olen Butler, author of the Pulitzer Prize--winning, A Good Scent from a Strange Mountain
"In gorgeously liquid prose, Aimee Phan gives us deep insight into contemporary Vietnamese-American life. There is a stark eloquence to this book that lingers within me, compelling a reconsideration of what I thought I knew about the war in Vietnam and more important, the war's long-term effects on the people of both countries. We Should Never Meet is an important book by a splendid and passionate new writer."
- Chris Offutt, author of No Heroes: A Memoir of Coming Home and Kentucky Straight
Most helpful customer reviews
5 of 5 people found the following review helpful.
AN INSIDER PERSPECTIVE
By Megan A. Ady
Aimee Phan in 'We Should Never Meet' masterfully weaves different chronological moments in time to create a complex insider perspective on what it was like to be a player in the Vietnam-America story. The tangible, earthy images of Vietnam, bare feet in warm soil, conical hats beating off scorching heat, blend with the identity confusion experienced by Vietnamese transported to America after the Vietnam War. Violence and anger and betrayal are presented blatently, yet in such a way as to inspire compassion and understanding for these characters, caught in a bigger story over which they have very little control. At its heart, this brilliant piece of writing is about what it is to be human, the strange tension in each of us between love and hate, anger and trust, rejection and acceptance, identity and confusion.
0 of 0 people found the following review helpful.
Powerful, compelling
By San Francisco VH
Pham's collection is a page-turner, about the intersecting lives of families caught up in the Vietnam War and its aftermath, aloft on a plane in Operation Babylift and in the suburbs of a Orange County. She reveals this history without ever being didatic and though she writes with deep empathy, she also casts an unflinching eye upon her characters and their choices. Unforgettable.
2 of 3 people found the following review helpful.
"They wanted to give back their pain."
By Luan Gaines
Inspired by the fall of Saigon and Operation Babylift in 1975, Phan's eight stories form an intricate tapestry, tracking Kim, an orphan, and three others, Vinh, a gang leader, Mai, another orphan who has long known Kim in foster care and Huan, who will return for closure to the Vietnam of his birth. This is human drama that begs to be told, two countries bound inextricably by war, the refugees of Operation Babylift desperately carving out new lives in their adopted country. In the first story, "Miss Lien", a child gives birth to a child, in the agony of delivery recalling her youth, the seasons of careless play, although nothing is easy on a farm with many mouths to feed. For a long time, the fighting seems far removed from the countryside, the guns and bombs a distant thunder, the children not yet afraid. Then the war moves closer, each family digging a bunker to shelter from the artillery lighting up the night sky. Eventually the farm is destroyed, the animals slaughtered. When Lien leaves home with her baby to work in the city, she plans to return, unaware that her country is plunging toward its terrible destiny, where motherless babies will be left to their fate.
The title story, "We Shall Never Meet", introduces Kim, one of the Operation Babylift orphans, who has already learned that each foster home brings a new set of problems, expectations and demands. Emancipated, Kim lives with a gang leader, Vinh, and recently befriended by a shop owner she once tried to rob. Trust does not come easily to the American-raised Kim, but she is drawn to this woman, who speaks in her native tongue. Constantly disappointed, raised in a world of want, Kim gives back in kind when the woman refuses an unreasonable request, setting in motion a terrible revenge. In "Visitors", Phan contrasts street life with hardworking residents of Little Saigon in Orange County, who pass their days in hopeful vigilance, nostalgia for the home country and the street-wise ways of those who prey on their own. Each of the stories fills in another part of the picture, the scant memories of the homeland fused with the harsh reality of life in America.
Moving back and forth from the fall of Saigon in 1975 and the desperate social dissolution that followed the troop withdrawal from the bloody Vietnam war to the crowded streets of Little Saigon two decades later, the author writes the legacy of a generation born of war, rescued and brought to a new country, there to be shuffled between foster homes, recreating the only environment they have known, a hardscrabble mixture of gang violence and quick-witted alliances. The majority of them ghettoized outcasts, a small society riddled with economic inequality and discontent, these characters personify their distress. Phan speaks eloquently for those who do not know they have a voice, marginalized by race and circumstance in a land of plenty. This writer has much to offer, her intimate knowledge a reservoir of hope, an untapped source of human drama. Luan Gaines/ 2005.
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